Our Close, Personal Canadian Pal Erich Mrak Releases His Debut EP “V” On Tuesday

Toronto (ON)—Since August, 2014, Toronto residing artist Erich Mrak has been working day and night to complete his debut EP – “V”. Exclusively produced by Bento and Erich, the five track EP showcases Erich’s distinct indie rap sound, telling the story of his time with a girl. The download link for “V” can be found below as well as the first three singles from the EP.

Releases :
“Human” via Canadian Beats

“Faces” via IX Daily

“I Don’t ft. Kelsey” via Exclaim

Erich Mrak V

Contact for all inquiries (bookings, management, publicist, ect.) :

Cover art for “V” by Martin Nombrado.
Cover photo by Galang Stro .
Bottom photo taken by Wassim Farah .

And yes, the music is awesome.

You are now musically informed. Go and do likewise.

“It Kind Of Encapsulated All Of My Interests And Kinda Blew My Young Mind:” A TDQ Q&A With Writer/Director Jay Weisman

Shockwave Darkside

Shockwave Darkside, written and directed by Jay Weisman combines the mystery of space, along with all the feelings of camaraderie and adrenaline brought about by just war against a common foe all wrapped in a video game cut scene like presentation that makes the viewer eagerly waiting for their turn to join in. That was my take, anyway.

This week’s TDQ Q&A is with writer and director Jay Weisman. Jay spoke to us about his latest film, “Shockwave Darkside,” the difference between directing movies and TV and how he stays grounded. Here is this week’s TDQ Q&A With Jay Weisman:

The Daily Quarterly: What made you want to be in show business?

Jay Weisman: I come from a long line of storytellers. My dad is quite the raconteur and so was my grandfather – who acted in Yiddish theater when he came to this country – so on one hand, it was a natural interest. On the other, I was always into space travel and technology – so those passions kinda merged into wanting to be a filmmaker, I guess. Specifically being a science-fiction filmmaker because I figured if I couldn’t have NASA send me to the moon, I could do the next best thing and just get a set together and put myself there!

TDQ: Who was your favorite director growing up?

JW: I guess it depends at what point in my life you asked me! I had a really great film education growing up, so I went through my Lucas and Spielberg phase, then Coppola and Kubrick and then I started learning about some of the great directors of the 30s and 40s like Michael Curtiz and Howard Hawks.

Then there were directors like James Cameron, David Lean and Ridley Scott who also had a huge influence on me. I’d have the equivalent of director mix tapes where I’d binge-watch seminal movies from their body of work and try and see how their style developed, what where their recurring themes and how they grew in ability.

Shockwave Darkside

Jay Weisman’s take on war in the stars is probably exactly what it will be like in the inevitable future.

TDQ: What was your favorite movie growing up?

JW: “Star Wars” – the original. Hands down! That movie had such an impact because it kind of encapsulated all of my interests and kinda blew my young mind. There were so many ground-breaking things in that movie – but it also was the first time I could look at something that I might be able to do someday. It’s like a first love.

TDQ: What was your favorite TV show growing up?

JW: Classic “Star Trek” and “Twilight Zone.” It’s interesting – the older I got, the more I realized that these shows had a real depth to them. So when I was younger, I’d tune into all the space battles and Captain Kirk derring-do of “Star Trek,” and twist endings of the “Twilight Zone” – but as I got older, it would start occurring to me that these stories were actually about so much more than seemingly what was presented on the screen. That, to me, is really the power of science fiction.

And if you see “Shockwave Darkside,” you can definitely see those influences in the film. I think those shows managed to become really great cautionary tales about our flirtation and adolescence with technology – and through that they could comment on things like religion, politics, civil rights and science in a way that was pretty innovative.

My dad was a also a huge fan of both of these shows, so I that was really our thing as I was growing up. Some fathers and sons have baseball, and we had Rod Serling and Gene Roddenberry.
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Actor, Celebrity Golfer Glenn Frey Dies At 69

Glenn Frey

Glenn Frey, left, with RECOiL writer/director Brian DiMaio, right on one of their many trips back and forth to South America conducting what they called research for the film.

New York— Actor Glenn Frey, best known to the world for his role as the coach of the Arizona Cardinals in the classic Cuba Gooding, Jr. film, “Jerry Maguire,” died Monday. He was 67.

Known for his love of golf, Frey could often be seen competing with the pros in the AT&T Pebble Beach National Pro-Am every February as well as other celebrity tournaments founded and hosted by various celebrity people.

Frey also appeared on the small screen in such TV shows as “Miami Vice,” “Wiseguy,” “Nash Bridges” and “Arli$$.”

Besides appearing with Oscar-winner Gooding in “Maguire,” Frey was also on the big screen in “Let’s Get Harry,” “RECOiL” and some documentary about birds of prey or something.

With Alan Rickman’s Death At 69, “Die Hard” Reboot Is Now In Limbo

Alan Rickman

Alan Rickman, left, on the set of RECOiL with writer/director Brian DiMaio, right. Rickman played the role of European criminal mastermind Rolf Dieter. His scenes were later cut because DiMaio didn’t feel like Rickman was pulling off the accent.

London—Severus Snape, the Sheriff of Nottingham and Hans Gruber all died Thursday as Alan Rickman succumbed to cancer. He was 69.

Cast mainly as villains throughout his successful career, Rickman also voiced the bad lion in “The Lion King,” as well as the Paranoid Android in “The Hitchhiker’s Guide to the Galaxy.”

He won an Emmy for his role as Rasputin in “Rasputin: Dark Servant of Destiny” in 1996.

Besides appearing in every Harry Potter film, he also appeared in “Love Actually” “Dogma” “RECOiL” and “Galaxy Quest.”

Die Hard: Dorm DaysSeveral sources in Hollywood have said that Rickman was set to appear in a reboot of “Die Hard” with Dax Shepard taking on Rickman’s character Hans Gruber. The new volley of Die Hard (estimated at “four or five” by an insider) films will prequel the current Die Hard films, with John McClane, played by Ross Lynch, and Hans Gruber being college roommates whose relationship takes a horrible turn. Denzel Washington was also attached to the picture.

Rickman is survived by his wife, Rima Horton.

An Economic Analysis Of The Karlsfield Barbershop Audit

Editor’s note: We were sent this analytical piece by an astute concerned reader. Always eager to provide an opposing view, we agreed to run it. You are now informed. Go and do likewise.

Karlsfield, VT

If there’s one thing that is in perpetuity it is the changes to the Karlsfield, VT town motto.

It has come to my attention that the Karlsfield barbershop audit has come under intense scrutiny in these past few days. Let me attempt to set the record straight.

On the surface, paying $11,450 to generate $2,000 in tax revenues seems preposterous. Adding $17,500 in bumper sticker costs does not make the decision any more favorable, for $28,950 in costs today to save $2,000 is typically considered a poor investment.

However, there is not only today, but also tomorrow. And the day after that, and the one after that, and so the years pass by. Suddenly, when one thinks about the overall savings that could accrue in Karlsfield’s existence, the decision to conduct the audit may not seem so ludicrous. Indeed, using the present value formula for a perpetuity (or an annuity), which is what the $2,000 in tax revenues essentially is, will show precisely this result.

The formula formula1 represents the present value of the tax revenue flows if they were to continue forever. C is the amount of tax revenue flows per year and r is the interest rate. We know that the amount of tax revenue flows is $2,000, and let’s assume that the interest rate is 0.015. If this were to be true, and who in Karlsfield today can remember a time when Karlsfield didn’t exist, then the present value of the tax flows is $133,333.33. Who wouldn’t spend $28,950 today to gain $133,333 in the future?

Now, suppose something happened, not to Karlsfield itself of course but the world gets hit by an asteroid or some such poppycock, and Karlsfield lasts for only 100 more years. The new formula is formula2 which is slightly more daunting but still manageable. C and r are the same as before, and n is the number of years in our example. The term k … well, trust me on that and the Greek sign. The present value in this example, where only 100 years are left, is still $103,249.40! A bargain at the cost of $28,950!!! Indeed, my analysis shows that Karlsfield will break even in the 17th year. Once again, who does not make this deal? If only all politicians were as fiscally sound as those in Karlsfield!

All of my analysis should be considered with a caveat, for things can change. For instance, if the interest rate rose to 5% (and the Fed has shown rates can rise), then the payoff to the audit and bumper sticker campaign is not as large. However, tax rates could also rise, and politicians the world over have shown that to be true, which could mean that the $2,000 in tax revenue may rise, making the $28,950 seem like loose change.

Of course, the most likely change is that homeless do without haircuts, meaning there are no tax revenues, the politicians just blew $28,950 that was spent on the audit and bumper stickers, and long haired homeless folks roaming Karlsfield Square.

Signed: A 3-handed economist

Countersigned: Pierre Andre